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When configured to produce all three “Output Signals”, Mono-a-Mono acts as a "de-mixer", allowing the recording to be re-mastered without access to original master tapes. The three channels can be processed independently (using third-party software) to change the tonal balance, dynamic range, or position of the respective sources within the sound stage. The only caveat is that the third-party software should be able to handle 3-channel stereo files correctly. Many do not. The open source sound editor, Audacity, is to be commended here – it’s available on a number of platforms, handles multichannel audio files correctly, analyses spectral content of arbitrary-duration signals, and plots nice grey-scale spectrograms. It’s a powerful tool and it’s well worth putting up with its idiosyncrasies. |
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